Read the trailer's motion blur.

Returns every beat's shots, numbered as its cut plays them (with who speaks on camera), which are chosen, the strength, the seconds chosen against the cap (capSeconds), and, beat by beat, whether the last master laid the blur (state: on, waiting, skipped with a reason, off) with the sentence the review shows; renderBox says whether a render box answers now. Motion blur makes chosen shots move like film: what moves in them blurs the way a camera's shutter blurs it, while still frames, faces held in frame and straight edges stay sharp. It is chosen per shot (or per chapter or beat: its moving shots, never a shot where someone speaks on camera unless that shot is named), at one of two strengths (standard, subtle; standard by default). It is free, up to 300 seconds of blurred picture per deck or trailer, and it is laid when the master is assembled, before the film finish. The sound and timing are never touched. Scope: story:read.