Read the trailer's camera motion.

Returns every beat's shots, numbered as its cut plays them, each with its camera (held, moving, handheld), who speaks on camera and who the call renders; the handheld strength; each beat's move; and, beat by beat, what the last master laid (state: on, waiting, partly with a moveReason, off) with the sentence the review shows. Camera motion gives the held shots an operator, the way a documentary camera moves: a handheld sway on the shots that were rendered still (off, subtle, medium; never on a shot whose camera already moves or was filmed handheld, and never so far that a speaking mouth leaves the frame), and at most one move per chapter or beat, on a held shot where nobody speaks on camera: a snap zoom onto a reaction (up to 1.5×, right after a line) or a slow reframe from one face to another already in the frame. It is free, and laid when the master is assembled, as the first step of the film finish and before any type. The sound and timing are never touched. Scope: story:read.